• Composer and Performer: Mira Reis
• Year of Composition: 2627 (Beta Age, Year of Landing + 1)
• Genre: Frontier Ballad / Exohuman Lament
• Language: ExoEnglish
• Status: Preserved recording archived in the Federal Library of Firetown

“The Last Horizon” is regarded as the founding anthem of ExoHuman frontier music — a haunting, slow-burning ballad that blends shipboard nostalgia with planetary despair. It tells of loss, endurance, and rebirth after the fall of the Last Frontier, capturing the grief of a people stranded light-years from home.

The lyrics mirror the fire and survival that defined Mira’s own life — she, too, was a victim of the flames, scarred during the ship’s crash but saved by an unknown rescuer. Sung in minor intervals and accompanied by her battered banjo, the piece carried through caravan convoys and saloon halls alike, becoming the unofficial hymn of settlers who survived the crash of the Last Frontier.

Verse 1
Whispers drift across the silent stars,
Ash and silver carried us afar.
The engines slept, the children dreamed,
And hope was something we once deemed.

Chorus 1
So hold the line beyond the flame,
The sky may change but we remain.
The ship is gone, our hearts survive,
On the edge of the last horizon — alive.

Verse 2
Echoes rise from broken stone,
Lost horizons we have never known.
In the cold our breath takes form as prayer,
To the ones we left somewhere out there.

Chorus 2
So light the fires in endless night,
Burn the dark to keep our sight.
The world has fallen, we still strive,
On the edge of the last horizon — alive.

Bridge
There’s a name I can’t recall,
A hand that pulled me through the fall.
If you hear me in the black,
Sing me home — don’t turn back.

Final Chorus
Hold the line, breathe the flame,
We’re more than dust, we have a name.
Through the void our voices dive,
On the edge of the last horizon — alive.

• Tempo: 60–65 BPM (Lento)
• Key: D-minor
• Instrumentation: Solo banjo with hollow resonance chamber (salvaged from *Last Frontier* materials), optional low-drone accompaniment.
• Vocal Style: Soft, tremulous; alternating between spoken and sung lines.
• Performance Duration: ≈ 4 minutes 30 seconds

Mira composed the song in 2627, while recovering from her burn injuries in the outskirts of New Kourou. Witnesses recall she hummed the melody before she could speak again. The lyrics reflect both survivor’s guilt and transcendence: the realization that humanity’s voyage among the stars ended, yet its spirit persisted.

By 2628, “The Last Horizon” spread along the Trade Route through couriers and entertainers. It was adopted by the Firetown Courier Service as an informal anthem before dawn departures.

• Among Couriers: Believed to bring safe travel — many recite its chorus before departing Firetown.
• Among Settlers: Symbol of resilience and identity — the idea that hope can survive even when the stars are gone.
• Among Musicians: Regarded as the first original composition born on VOI 700 D, breaking with Earth music tradition.

In the Gamma Age, fragments of Mira’s recording resonate through Firetown’s Entertainment District — sampled in remixes at Saloon Gloria and performed live by tribute singers.

The song’s title has entered popular speech as a metaphor for survival beyond loss. *“To see the Last Horizon”* means to outlive despair.

At her memorial in the Federal Library of Firetown, visitors can press a brass button to hear the original recording through static and tape hiss — a ghost voice from the Beta Age whispering through the frost.

Use *“The Last Horizon”* to anchor emotional beats in the campaign:

• During Travel: Having an NPC hum the melody can soothe players after trauma or foreshadow hope.
• At the Halfway Inn: A rusty recording might play unexpectedly from a Courier’s radio, triggering memories or connections to Mira Reis.
• In Firetown: Street performers or billiard-saloon singers may use it to hint at the town’s dual nature — human warmth flickering amid darkness and corruption.

• Mira Reis
• Last Frontier
• Firetown
• Saloon Gloria